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Bollywood has changed leaps and bounds in the last few decades but yesteryear actress Asha Parekh remains to be the epitome of beauty and talent. Unfazed by the dozens of faces that have entered the industry lately, her fans continue to worship her as they did during the golden period of the film industry.
The legendary actress, whose dance moves are still to find a match, sprung in a surprise for her followers with an autobiography. Named ‘The Hit Girl’, the book was unveiled by superstar Salman Khan who shares a close bond with Asha ji in Mumbai a few days back.
The golden girl of Bollywood has touched upon some undisclosed aspects of her life in the autobiography which she discussed with the media at length.
Here’s an excerpt from our chat with the diva:
What do you have to say about the unconditional love of the fans which continue to pour in even today?
I am extremely thankful for all the love and support that come my even till today. I feel blessed and fortunate.
What inspired you to come up with an autobiography?
It so happened that Khalid Mohammad came to visit me one day and said let’s do a biography of yours. I was a bit reluctant at first because you need to be truthful about your life, but then I just went with the flow.
Why don’t we get to see you on the big screen lately?
I have been immersed in social work for long so there isn’t much time. Also, I don’t the find roles my coming way exciting enough to take them up.
Do you have any advice for actors of the younger generation?
I think all of them are apt in their own right. More than any suggestion, I would just like to applaud them for all the good work they are doing despite the gallops of stress and the hectic lifestyle.
Are you in support of the current trend of remixing old Bollywood melodies?
No I am not a remix fan at all and never was. I think there is overuse of beats in such song and the lyrics are limited.
Who was your most favourite co-star?
All of them were equally superior but your first is always special. I worked with Shammi Kapoor in my debut film so he holds a special place.
What would you say is missing in the actresses of the modern era?
I don’t think they lack anywhere at all. I find it amazing how they deal with such levels of anxiety and stress and come out triumph. And I love how Kangana Ranaut fearlessly puts forth her opinion every time. I adore all of them.
What all differences do you see in Bollywood from then to now?
First of all technology has taken a major leap. Then there is the abundance of media. The journalists these days are not friendly. They don’t come up with a positive intention to a star. All the actors today need to look good all day long. Pressure levels have certainly gone up. Also, there is a definite change in the style of filmmaking, the songs and dances.
What is the craziest thing that a fan has ever done for you?
Once a Chinese man had flown down to Mumbai at my house. He literally lied down at the entrance of my house and refused to go. Eventually, we had to call Police to send him back.
You have been close to Salman since he was a child and now he is the biggest superstar of the nation. How do see his journey?
It is absolutely amazing. I remember he was a chubby little boy in his younger days. To see him start from scratch and reach where he is today fills me up with pride. It was so kind of him to write the foreword of my book and then launch it.
What was that one memory that filled you up with warmth while writing the book?
When I narrated the story of my parents, it really took me back in time. To go through it again brought tears to my eyes but it was necessary for the book.
Which film of yours would you like to see remade and what would be the starcast?
‘Teesri Manzil’ is one film that is very close to my heart and I would to see it being remade. As far as the starcast is concerned, I think any of the female actors of the current lot would do a great job and Shammi’s part would best suit to Ranbir Kapoor.
What is your take on the Censor Board controversies as you were once a part of it?
I think all the issues are highly politicised these days. There is a massive difference of opinion between the filmmakers and the Censor people. There is a set of guidelines for passing a film and the board should stick to that and not be affected by the controversies.
